The Mind's Eye: Writings on Photography and Photographers Henri Cartier-Bresson
Publisher: Aperture Foundation

Online photography platform Invisible Photographer Asia is giving street photography in Asia a newfound visibility and buzz. Many years ago, was my first introduction to dove's work, and the images, as well as some of dove's own writings, planted the first deep seeds of abstraction within me. Documented through archival photographs and text. It publishes photo essays, street photography, documentary photography and videos, and pieces of visual journalism on its website, and covers Asia from end to end, from Turkmenistan to Vietnam. Jasper Johns: Seeing with the Mind's Eye, ed. His writings on photography and photographers, which have appeared sporadically over the past forty-five years, are gathered here for the first time. I didn't trust the practitioners of When looking at photographs – and this is part of my training as an artist – I realize people see, process, and react to what is in their mind's eye with some parts remaining unconscious, not totally responding to what is in front of their physical eyes, as much the mind's eye. That's from The Customers, one of the short pieces of writing in The Mind's Eye: Writings on Photography and Photographers by Cartier-Bresson. The first review I've chosen to post is of a collection of writing by the epitome of the reportage photographer, Henri Cartier-Bresson; The Mind's Eye, Writings on Photography and Photographers. What truth do these photographic montages reveal to the viewer? I've been interested in getting between Missy Prince's mind's eye and camera for a while now—her photographs beckon more from me and I was excited to get an opportunity to read her words. Also included is an interview with one of my favorite artists of the period, Mierle Laderman Ukeles. More on CNNGo: The art of The late French photojournalist Henri Cartier-Bresson, famously wrote in his highly-praised book “The Mind's Eye”:. As i was looking at the photograph, deciding whether or not to buy it, it began to suggest a small painting by arthur dove, which in my mind's eye felt as if it had some sort of formal visual equivalent to the image in the photograph. Several have never before appeared in English. Painting has always been more stimulating to my photography's development along with writing and reading great literature. Which world is particular to the kino-eye, the camera's eye?